Just A Boy Who Loves Halloween shirt

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I was born in Just A Boy Who Loves Halloween shirt . and moved to the U.S. when I was 15 with my family. We settled in LA and then I lived in Fort Lauderdale, Florida for high school and New York for college. I studied fashion design at Parsons and interned at The Row. Post-graduation, I spent some time in Shanghai where I worked as an assistant designer for a local brand. The team was small, so I was able to experience firsthand every aspect of the industry: finding inspirations, contacting suppliers, interacting with the contractors, sample-making, production. I learned a lot. I then moved back to LA to start my own brand.From the name Scarlet Sage to your collections, your brand pays homage to Wong Kar-wai films and the works of his contemporaries in Hong Kong cinema. When did you develop your love of these movies, and what ultimately inspired you to build your brand around them?

Just A Boy Who Loves Halloween shirt, hoodie, sweater, longsleeve and ladies t-shirt

Classic Women’s

Long Sleeved

Unisex Sweatshirt

Unisex Hoodie

Classic Men’s

I was born in China at the tail of the Second Wave, the movement in Chinese-language cinema that emerged in the late 1980s and early 1990s, but its impact on my childhood visual memories lives strong Just A Boy Who Loves Halloween shirt . A generation of women, my mother included, was stylistically very affected by the way the Second Wave movie characters dressed — where the traditional qipao is frequently seen mixed with Western style staples. Suits, wide-shoulder jackets, coats and sunglasses became commonplace as people imitated how the characters dressed in the films.I grew up in a cinephile family, and while I may not remember everything I watched as a kid, these movies left me with a fantasied image of the ’90s and the way women dressed at that time. Wong Kar-wai is my favorite filmmaker. His work is highly stylized, often described as beautiful and unique. He always gives the audience the necessary white space to think. To me, it is minimal based on the chaos. The colors are bold and saturated — such as scarlet sage, a deep red signature in many of his films. Each frame in Wong Kar-wai’s films was beautiful in the way as only movies shot by film can be — the texture and colors were unique and real, it captured rare moments. The women in his movies always have very strong personalities and they are all different in their beauty.
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